Architectural styles of modern and modern times k. Artistic culture of the New Age

Rome is considered the birthplace of the Baroque, and the most striking examples of the architecture of this style were created in Italy, Spain, Portugal, Southern Germany, the Czech Republic, Poland, Lithuania, Spanish and Portuguese colonies in Latin America. In all these countries, the Catholic Church was very influential and thus the Baroque became the style it adopted.

The beginning of a new style is usually considered the construction of a small church of the Jesuit order Il Gesu in Rome, begun in 1568 according to the project of Giacomo Vignola. The birth of a new style can be seen on the main façade, which overlooks a small square, completed in 1575. Designed by Giacomo della Porta: columns and pilasters move towards each other, grouped in pairs, the entablature breaks, the surface of the façade is overloaded with strong rhythmic elements.

In baroque architecture, the balance of masses and space, the harmony of carried and bearing parts, the calm measured rhythm, characteristic of Renaissance architecture, are violated. The masses of the building come to life, come into motion, architectural forms begin to crowd each other, break the boundaries of clear geometric shapes, solid material turns into a pliable mass, decorative details create a bizarre play of light and shadow. Plans of baroque buildings take on complex outlines of conjugated ovals and other irregular shapes. Both external and internal space are included in this violent struggle. The facades of baroque buildings, whimsically curving, involve the surrounding streets and squares in their rapid movement. Baroque architecture is the architecture of large-scale urban and suburban ensembles, which gave a powerful impetus to the further development of urban planning.

In France, one of the most remarkable Baroque palace ensembles of Versailles () was created, which became a model for luxurious country residences of European monarchs, including Russian ones.

The building of the Palace, designed by the architects Louis Leveau and Hardouin Mansart, combines classical clarity and austerity of volumes with the Baroque organization of the interior space of the main Mirror Gallery, the framework of which is illusoryly expanded by mirrors and murals. The abundance of gilding, sculpture and painting in the interiors will later become a favorite technique of baroque architecture. In plafond painting, the image of the firmament with angels and clouds in perspective is conveyed so accurately that it is difficult to determine where the boundary of real space passes, and where the illusion of reality begins.

In the 18th century, baroque took root in Russia. The new manners of the royal court and the new Russian nobility, which since the time of Peter I were persistently introduced into use in Russia, also demanded the European type of palaces, where luxurious balls, ceremonial receptions, and rich dinners could be held. Peter I himself gravitated more towards the Protestant restraint of Dutch architecture, but his daughter, Elizaveta Petrovna, leaned towards the forms of lush Italian baroque. During the years of her reign (), the best examples of Russian baroque were created, which differed from Italian in worldly cheerfulness and the absence of religious mysticism, and from German or Austrian in the emphasized scale and monumental scope of architectural ensembles.

The most outstanding architect of the Russian Baroque was Francesco Bartolomeo Rastrelli. Only he was able to build for Elizabeth such a palace in Tsarskoye Selo that would meet her needs and taste. The facade of the palace itself is so strongly rhythmically dissected by powerful "blows" of white columns that stand out against a blue background, that there can be no question of any monotony. Only by looking closely, you can see behind the choir of columns and pilasters the traditional three-sided construction of the palace building.

The main hall of the palace The Great Gallery (17 m wide, 47 m long, 7 m high, with a total area of ​​800 sq. m) without a single internal support. In addition to real windows, there are also fake mirrors that artificially expand the huge interior space. Patterns of type-setting parquet, gilded wood carvings, painting of the plafond - everything in this room amazes with sophistication, betraying the hand of a brilliant master. All rooms in the palace are different, there is a Chinese one, and a crimson one, and the famous

Of the other buildings of Rastrelli, one cannot fail to mention the famous Winter Palace with a magnificent front staircase, where the architect used the same effects of fake mirror windows to visually expand the space, and the Smolny Cathedral in St. Petersburg. Rastrelli's style is impossible not to recognize. Even in small buildings, such as the Cathedral of the Smolny Monastery, he managed to create a bright, cheerful, high spirits, a lively play of light and color, a solemn rhythm of forms, an exquisite silhouette of a five-domed completion.

Baroque manifested itself in different ways in different countries, but its characteristic features and formal features can be found everywhere. These are complex curvilinear plans, thickened columns that replaced the flat pilasters of the Renaissance, a torn entablature, rhythmic diversity and saturation, powerful plasticity of the walls, violent movement, the struggle of masses and space, involving external space in it, the creation of a synthesis of arts, united by a common idea and style, the creation of majestic architectural ensembles in cities and palace and park ensembles in country residences, an abundance of gold, wood and stone carvings, lush decorative details and sculptures, a rich play of color and light. This is a style based on the use of classical architectural order forms, brought into a state of dynamic tension, sometimes reaching convulsions.

Baroque man rejects naturalness, which is identified with savagery, arrogance, tyranny, brutality and ignorance, all that in the era of romanticism will become virtue. A baroque woman of romanticism cherishes the pallor of her skin, she has an unnatural, frilly hairstyle, a corset and an artificially expanded skirt on a frame made of a whalebone frame made of whalebone. She is in heels. And the gentleman from the English becomes the ideal of a man in the Baroque era. gentle: gentleman “soft”, “gentle”, “calm”. Initially, he preferred to shave his mustache and beard, wear perfume and wear powdered wigs. Why force, if now they kill by pulling the trigger of a musket. In the baroque musket, naturalness is a synonym for brutality, a synonym for savagery, vulgarity and extravagance. For the philosopher Hobbes, Hobbes states of nature. it is a state characterized by anarchy and war of all against all. Baroque man Madame de Montespan Madame de Montespan, Baroque woman

The Baroque style in painting is characterized by the dynamism of compositions, the “flatness” and pomp of forms, the aristocracy and originality of subjects. The most characteristic features of the Baroque are catchy flamboyance and dynamism; a vivid example of the work of Rubens and Caravaggio. Rubens Caravaggio Baroque in painting by Rubens. Venus and Adonis. Caravaggio. Saint Jerome

In the art of the 17th - 18th centuries, various artistic styles coexisted. The presentation gives a brief description of the styles. The material corresponds to Danilova's textbook "World Artistic Culture" grade 11.

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Style diversity of art of the XVII-XVIII centuries Brutus Guldaeva S.M.

In Europe, the process of separation of countries and peoples has been completed. Science has expanded knowledge about the world. The foundations of all modern natural sciences were laid: chemistry, physics, mathematics, biology, astronomy. The scientific discoveries of the beginning of the 17th century finally shook the image of the universe, in the center of which was man himself. If earlier art affirmed the harmony of the Universe, now man was afraid of the threat of chaos, the collapse of the Cosmic world order. These changes were reflected in the development of art. The 17th-18th centuries is one of the brightest pages in the history of world artistic culture. This is the time when the Renaissance was replaced by the artistic styles of baroque, rococo, classicism and realism, which saw the world in a new way.

ARTISTIC STYLES Style is a combination of artistic means and techniques in the works of an artist, an artistic movement, an entire era. Mannerism Baroque Classicism Rococo Realism

MANERISM Mannerism (Italian manierismo, from maniera - manner, style), a trend in Western European art of the 16th century, which reflected the crisis of the humanistic culture of the Renaissance. Outwardly following the masters of the High Renaissance, the works of the Mannerists are distinguished by their complexity, intensity of images, mannered sophistication of form, and often sharpness of artistic solutions. El Greco "Christ on the Mount of Olives", 1605. National. Gal., London

Characteristic features of the style Mannerism (artsy): Sophistication. pretentiousness. Image of a fantastic, otherworldly world. Broken contour lines. Light and color contrast. Shape lengthening. Instability and complexity of poses.

If in the art of the Renaissance a person is the lord and creator of life, then in the works of Mannerism he is a small grain of sand in the world chaos. Mannerism covered various types of artistic creativity - architecture, painting, sculpture, decorative and applied arts. El Greco "Laocoon", 1604-1614

The Uffizi Gallery of the Palazzo del Te in Mantua Mannerism in architecture expresses itself in violations of the Renaissance balance; using architectonically unmotivated structural solutions that cause the viewer to feel uneasy. The most significant achievements of Mannerist architecture include the Palazzo del Te in Mantua (the work of Giulio Romano). The building of the Uffizi Gallery in Florence is sustained in a mannerist spirit.

BAROQUE Baroque (Italian barocco - whimsical) is an artistic style that prevailed from the end of the 16th to the middle of the 18th centuries. in European art. This style originated in Italy and spread to other countries after the Renaissance.

CHARACTERISTIC FEATURES OF THE BAROQUE STYLE: Splendor. pretentiousness. Curvature of forms. Brightness of colors. An abundance of gilding. An abundance of twisted columns and spirals.

The main features of the Baroque are splendor, solemnity, splendor, dynamism, life-affirming character. Baroque art is characterized by bold contrasts of scale, light and shadow, color, a combination of reality and fantasy. Cathedral of Santiago - de - Compostela Church of the Sign of the Virgin in Dubrovitsy. 1690-1704. Moscow.

It is especially necessary to note in the Baroque style the fusion of various arts in a single ensemble, a large degree of interpenetration of architecture, sculpture, painting and decorative art. This desire for a synthesis of the arts is a fundamental feature of the Baroque. Versailles

CLASSICISM Classicism from lat. classicus - "exemplary" - an artistic trend in European art of the 17th-19th centuries, focused on the ideals of ancient classics. Nicolas Poussin "Dance to the Music of Time" (1636).

CHARACTERISTIC FEATURES OF CLASSICISM: Restraint. Simplicity. Objectivity. Definition. Smooth contour line.

The main themes of the art of classicism were the triumph of public principles over personal ones, the subordination of feelings to duty, the idealization of heroic images. N. Poussin "The Shepherds of Arcadia". 1638 -1639 Louvre, Paris

In painting, the logical unfolding of the plot, a clear balanced composition, a clear transfer of volume, the subordinate role of color with the help of chiaroscuro, and the use of local colors have acquired the main importance. Claude Lorrain "Departure of the Queen of Sheba" The artistic forms of classicism are characterized by strict organization, balance, clarity and harmony of images.

In the countries of Europe, classicism existed for two and a half centuries, and then, changing, was reborn in the neoclassical trends of the 19th - 20th centuries. The works of classicist architecture were distinguished by the strict organization of geometric lines, the clarity of volumes, and the regularity of planning.

ROCOCO Rococo (French rococo, from rocaille, rocaille - a decorative motif in the shape of a shell), a style trend in European art of the 1st half of the 18th century. Church of Francis of Assisi in Ouro Preto

CHARACTERISTIC FEATURES OF ROCOCO: Refinement and complexity of forms. Fancifulness of lines, ornaments. Ease. Grace. Airiness. Flirtatiousness.

Originating in France, Rococo in the field of architecture was mainly reflected in the nature of the decor, which acquired emphatically elegant, sophisticated and sophisticated forms. Amalienburg near Munich.

The image of a person lost its independent meaning, the figure turned into a detail of the ornamental decoration of the interior. Rococo painting was predominantly decorative. Rococo painting, closely associated with the interior, was developed in decorative and easel chamber forms. Antoine Watteau "Departure for the island of Cythera" (1721) Fragonard "Swing" (1767)

REALISM Realism (French réalisme, from late Latin reālis “real”, from Latin rēs “thing”) is an aesthetic position, according to which the task of art is to capture reality as accurately and objectively as possible. The term "realism" was first used by the French literary critic J. Chanfleury in the 50s. Jules Breton. "Religious Ceremony" (1858)

CHARACTERISTIC FEATURES OF REALISM: Objectivity. Accuracy. Concreteness. Simplicity. Naturalness.

Thomas Eakins. "Max Schmitt in a boat" (1871) The birth of realism in painting is most often associated with the work of the French artist Gustave Courbet (1819-1877), who opened his personal exhibition "Pavilion of Realism" in 1855 in Paris. realism was divided into two main areas - naturalism and impressionism. Gustave Courbet. "Funeral in Ornan". 1849-1850

Realistic painting has become widespread outside of France. In different countries it was known under different names, in Russia it was known as Wanderers. I. E. Repin. "Barge haulers on the Volga" (1873)

Conclusions: In the art of the 17th - 18th centuries, various artistic styles coexisted. Diverse in their manifestations, they nevertheless possessed unity and commonality. Sometimes completely opposite artistic solutions and images were only original answers to the most important questions of the life of society and man. It is impossible to unequivocally express what changes happened by the 17th century in the attitude of people. But it became obvious that the ideals of humanism did not stand the test of time. The environment, the environment and the reflection of the world in movement become the main thing for the art of the 17th - 18th centuries.

References: 1. Danilova G.I. World Art. Grade 11. - M.: Bustard, 2007. Literature for additional reading: Solodovnikov Yu.A. World Art. Grade 11. - M .: Education, 2010. Encyclopedia for children. Art. Volume 7.- M.: Avanta+, 1999. http://ru.wikipedia.org/

Perform test tasks: Each question has several possible answers. Correct, in your opinion, answers should be marked (underline or put a plus sign). For each correct answer you get one point. The maximum amount of points is 30. The amount of points scored from 24 to 30 corresponds to the test. Arrange the epochs, styles, trends in art listed below in chronological order: a) Classicism; b) Baroque; c) Romanesque style; d) Renaissance; e) Realism; f) Antiquity; g) Gothic; h) Mannerism; i) Rococo

2. Country - the birthplace of the Baroque: a) France; b) Italy; c) Holland; d) Germany. 3. Match the term and definition: a) baroque b) classicism c) realism 1. strict, balanced, harmonious; 2. reproduction of reality through sensory forms; 3. lush, dynamic, contrasting. 4. Many elements of this style were embodied in the art of classicism: a) antique; b) baroque; c) gothic. 5. This style is considered lush, pretentious: a) classicism; b) baroque; c) mannerism.

6. Strict organization, balance, clarity and harmony of images are characteristic of this style: a) rococo; b) classicism; c) baroque. 7. The works of this style are distinguished by the tension of the images, the mannered sophistication of the form, the sharpness of artistic solutions: a) rococo; b) mannerism; c) baroque. 8. Insert the architectural style “Architecture ……… (L. Bernini, F. Borromini in Italy, B. F. Rastrelli in Russia) is characterized by spatial scope, fusion, fluidity of complex, usually curvilinear forms. There are often deployed large-scale colonnades, an abundance of sculpture on the facades and in the interiors "a) Gothic b) Romanesque style c) Baroque

9. Representatives of classicism in painting. a) Delacroix; b) Poussin; c) Malevich. 10. Representatives of realism in painting. a) Delacroix b) Poussin; c) Repin. 11. Periodization of the Baroque era: a) 14-16 centuries. b) 15-16 century. c) 17th century (late 16th-mid 18th century). 12. G. Galileo, N. Copernicus, I. Newton are: a) sculptors b) scientists c) painters d) poets

13. Match the works with styles: a) classicism; b) baroque; c) mannerism; d) rococo 1 2 3 4

Characteristic features of the culture of the New Age Anthropocentrism - in the center of the personality and its needs. The origins are in the ancient tradition. The Christian tradition has added the concept of morality and divine likeness. Humanism - the right of everyone to life, freedom, satisfaction of "natural" needs. Individual freedom has become the original symbol and core value of Western culture. In the eighteenth century There was also a women's movement for equal rights with men. Rationalism is a way of knowing based on the idea that there is an order in the world that is accessible to the human mind. Innovativeness (lit. "innovation") is the nature of European bourgeois culture - an orientation towards changing the habitual way of life and way of thinking; economic conditions; a higher level of individual uncertainty and risk, and, consequently, entrepreneurship and creativity. Separation of power - separation of political and spiritual power. Study material 2

Baroque Baroque - (Italian barocco - strange, bizarre). The Baroque style is characterized by a complex balance of dynamic compositions, a high level of expressiveness, a theatrical combination of the real and the fantastic. It is characterized by a wealth of decorative elements, curvilinear forms, the desire for grandeur and splendor. The time of the dominance of style is the end of the 16th - the beginning of the 18th centuries. If the Renaissance admires man and his being, then the Baroque doubts the value of life, perceiving it as a theater. Study material 3

Baroque architecture Characterized by spatial scope, unity, fluidity of curvilinear forms. Italy: L.Bernini St. Peter's Square. Rome. F. Borromini Church of Sant'Agnese, Sant'Ivo, San Carlo alle Cuatro Fontane. A. Tremignon Facade of the Church of San Moise in Venice. Spain: F.Casas de Nuova Cathedral in Santiago de Compostela Churriguera Family City Hall. Salamanca. France: L.Levo, J.Hardouin-Mansart Royal Palace. Versailles. England: K. Wren St. Paul's Cathedral. London. Germany: B. Neumann Palace of the Archbishop-Elector of Franconia. Würzburg. M.D. Peppelman () Zwinger. Dresden. Study material 4

Baroque sculpture Dynamics, expression, increased attention to detail, texture, theatricality. L. Bernini "David", "Apollo and Daphne", "The Ecstasy of Saint Teresa", "The Abduction of Proserpina", the "Four Rivers" fountain in Rome. A. Schlüter Monument to Elector Friedrich Wilhelm II. Berlin Educational material 7

Painting of Italy, Germany of the 17th century. Color saturation, image volume, scale, drama. A.Pozzo Apotheosis of St. Ignatius Loyola. Church of San Ignazio. Rome A. Carracci, A. Carracci, Domenichino Painting of the Farnese Gallery. Rome A. Elsheimer "Judith and Holofernes" Teaching material 9

Study material 11 A. Elsheimer "Judith and Holofernes"

Painting of Flanders and Holland of the 17th century. Joy of life, admiration of a person: P. Rubens "Perseus and Andromeda", "Kameristka". Attention to all aspects of life, love for the Motherland: Pieter de Hooch - “The Mistress and the Servant” Jan Vermeer of Delft - “Girl with a Letter”, “Girl's Head” Jan van Ruysdael “Winter Landscape” Jan van de Capele “Dutch Yachts” Philosophical understanding of life: F. Snyders "Fruit Shop" H. van Rijn Rembrandt "Danae", "Flora" (in the image of Flora he portrayed his wife Saskia) "The Return of the Prodigal Son" - it was in Rembrandt's painting that the biblical theme of the prodigal son acquired an extraordinary capacity and philosophical depth Study Material 12

Study material 16 Rembrandt Harmenszoon van Rijn "The Return of the Prodigal Son"

Study material 17 Caravagism. In the 17th century, a realistic trend in painting appeared, named after its founder, the Italian painter Caravaggio (). Characteristic features of caravagism: - monumentalization of the everyday world with the help of light and shade contrasts; - Attention to all aspects of life.

Study material 19 Baroque music Baroque music is balanced, at the same time energetic and dynamic. Contrast, tension, dynamism of images, affectation, attraction to stately splendor, combination of reality and illusion (opera, oratorio, cult music) are characteristic. Baroque music, called the "developed style", was characterized by four-voice, polyphonic technique. The genres of concerto grosso, instrumental sonatas, and suites arose. J. B. Lully; A. Corelli; G.Purcell; T. D. Albinoni; G.F. Handel; L. Boccherini A. Vivaldi Concertos for flute, violins. "Seasons". Developed the genre of instrumental concerto (concerto grosso). JSBach Suites for Orchestra, Brandenburg Concertos, Violin Concertos, Clavier Concertos. D. Scarlatti. He was one of the first to endow music with elements of sonata - anticipating the style that developed in the era of classicism. A. Salieri is the author of over 40 operas. A talented teacher - among his students L. Beethoven, F. Schubert

Classicism (XVII - early XIX centuries) - (Latin classicus - exemplary) arose in France. In the second half of the 17th century, classicism became the official court style, serving to glorify the monarchy. He most fully expressed the mindset of the Enlightenment. The rationalistic philosophy of R. Descartes "I think, therefore I exist" became the ideology of classicism (Descartes was the first to suggest that the audience in the theater take their seats according to the purchased tickets). Classicism turned to the ancient heritage as a norm and model. Based on the idea of ​​a reasonable regularity of the world. "Everything that is reasonable is really, everything that is real is reasonable" (G. W. Hegel). Educational material 20 Classicism.

Characterized by clarity and geometrism of forms, logical layout, combination of walls and columns, discreet decor. France: J. Hardouin-Monsart Place Vendôme, Cathedral of Les Invalides. Paris C. Perro Louvre. England: K.Campbell House in the estate of Wanstead House. (so-called Palladianism) D.Gibbs Church of St. Martin in the Fields. London R.B.Burlington Villa in Chiswick W.Kent House in the estate of Holkem Hall Study material 21 Classicism architecture.

Solemnity and splendor, spectacular, expressive, monumental forms. She continued the traditions of the Italian Baroque, was influenced by the work of L. Bernini. Combination of features of classicism and baroque. F.Girardon sculptures of the park in Versailles ("Apollo and the nymphs" and others) A.Kuazevox "Prince of Conde" P.Pyuget "Alexander the Great and Diogenes" Educational material 23 Sculpture of classicism.

In the visual arts - bright colors, a mythological or historical plot, the image of contemporaries in the form of mythological heroes. N. Poussin "The Death of Gemanicus", "The Arcadian Shepherds", "Landscape with Polyphemus" C. Lorrain "Morning in the Harbor", "Noon" Educational material 25 Painting of classicism.

The main themes of classicism: the conflict of society and the individual, duty and feelings, the desire to depict and express heroic lofty feelings and experiences. He divided the genres into high (tragedy) and low (fable). P. Corneille in tragedies glorified the hero and his deeds, people boldly going towards danger. J. Racine argued that the lot of a person is to submit and suffer, since he cannot overcome the passions that overwhelm him. Moliere (Jean-Baptiste Poquelin) - a poet who left the theater troupe, a comedian who became a playwright. He ridiculed affectation, false piety, hypocrisy and greed. Using the comic tricks of farce, buffoonery created a real comedy. P. Beaumarchais is the author of the trilogy about Figaro. C. Gozzi - Italian playwright of the 18th century, author of fairy tales with folklore motifs and elements of the comedy Del Arte: "The Love for Three Oranges", "The Stag King", "Turandot". Educational material 27 Classicism in literature and dramaturgy.

At the beginning of the 18th century, baroque was gradually replaced by a new style - rococo (small pebbles, shells). Originated in France. He continued the traditions of the Baroque. It is characterized by exquisite and bizarre small forms, stylized ornament. Widely used in interior design. Rococo is a light, playful style that creates an atmosphere of idleness, carelessness. It is characterized by grace, grace, refinement. He actively borrowed the motives of Chinese art. It did not last long, giving way to neoclassicism, but left a tangible impact on European culture. Study material 28 Rococo.

Pastoral plots, salon-erotic themes. The works were intended to decorate the inner chambers, boudoirs. A. Watteau "Sailing to the Island of Cythera", "Society in the Park", "Plight", "Gilles" F. Boucher "Hercules and Omphala", "Bathing Diana" O. Fragonard "Stealth Kiss", "Happy Swing Opportunities" ". Educational material 29 Rococo painting.

She strove to make the outlines of buildings more dynamic, the decoration - more decorative, while at the same time rejecting the solemnity of the baroque. The Rococo style, which became widespread at the court of Louis XV, was called the "style of Louis XV" until the middle of the nineteenth century. PA Delamere Hotel Subize. Paris J. Boffran oval salon of the Hotel Subise. E.E.Korni ensemble of three squares. Nancy G.W.Knobelsdorff Sanssouci. Potsdam Study material 32 Rococo architecture.

In music, the Rococo style manifested itself in the so-called "gallant style". The gallant style (galante - to have fun) acted in opposition to baroque art, was more democratic, was an accessible, pleasant, elegant art for an amateur. Distinguished by the sophistication of the composition. In the music of the gallant style, two-voice and an orientation towards homophony (highlighting the main voice) prevailed. It was believed that even an amateur was able to perceive all the subtleties of such a musical composition and enjoy both the whole work and its individual elements ("affects"). Representatives of the "gallant style" (rather conditionally): D. Scarlatti - opera "Love Misunderstandings, or Rosaura" and others - Italian composer, founder and largest representative of the Neapolitan opera school. Goldoni is an Italian playwright, creator of the national comedy, author of the plays "The Servant of Two Masters", "The Sly Widow". Study material 34 Gallant style.

Sentimentalism (French sentiment - feeling) An ideological and artistic trend in European culture of the 18th century, which reflected disappointment in the ideology of the Enlightenment. Its emergence was prepared by the crisis of Enlightenment rationalism. He proclaimed the cult of the natural feeling of nature, he is characterized by sensitivity, tenderness in expressions, compassion (Richardson, Stern, Smollett, Rousseau). Its emergence was prepared by the crisis of Enlightenment rationalism. Born in England in the 1920s. XVIII century. Study material 35 Sentimentalism.

From the middle of the 18th century, European art again turned to antiquity. The new style was called neoclassicism. The transition from Rococo to Neoclassicism is often referred to as a "revolt", due to the exact opposite of these styles to each other. Neoclassical architecture J.J. Souflot Church of St. Genevieve. Paris. P. Bracci, D. B. Maini - Trevi Fountain. Rome D.N.Servandoni Church of Saint-Sulpice. Paris W. Chambers Somerset House. London R.Adam House in the estate Syon-house K.G.Langhans Brandenburg Gate. Berlin Gothic Revival (mid-18th - early 20th centuries) (England) H.Worpole House in the estate of Strawberry Hill. Tweak. D.Wyeth Fonthill Abbey Teaching material 36 Neoclassicism.

Study material 37 J.J. Souflo. Pantheon (former Sainte-Genevieve church in Paris)

Neoclassical sculpture J.B. Pigalle "Mercury tying a sandal" A. Canova "Cupid's Kiss" E.M. Falcone "Milon of Croton", "The Bronze Horseman". J.A. Houdon "Voltaire sitting in an armchair", "Portrait of the composer K.V. Gluck" Neoclassical painting J.B.S. Chardin "Prayer before dinner", "Returning from the market", "Still life with attributes of the arts" D .B.Tiepolo "Patron presents liberal arts to Emperor Augustus." A.R. Mengs "Perseus and Andromeda" I.G.V.Tishbein "Goethe in Campania" Genre "Veduta" (Italian) - urban architectural landscape: D.A. Canaletto "Venice, St. Mark's Square, view of the Cathedral", " Doge's Palace and Piazza San Marco" B. Bellotto "Dresden from the right bank of the Elbe", "View of the Zwinger" F. Guardi "Doge's Palace", "Venetian courtyard" Educational material 38 Sculpture and painting of neoclassicism.

"Golden Age" of English painting. W. Hogarth "Girl with Shrimps", series "Rake's Career", "Career of a Corrupt Woman", "Fashionable Marriage". D. Reynolds "Portrait of Admiral Lord Heathfield", "Portrait of Nelly O" Brien T. Gainsborough "The Andrews", "The Boy in Blue", "Morning Walk", "Portrait of Sarah Siddons", "Portrait of the Duchess de Beaufort (Lady in Blue)" Educational material 42 Painting of England of the 18th century.

The main musical form is the symphony. Symphony as a concept of the universe. L. V. Beethoven () - 5 piano concertos, 9 symphonies, sonatas for violin and piano (including "Kreutzer"), quartets, sonatas for piano (including "Pathetic", "Appassionata"). V.A. Mozart () - An Austrian composer, a representative of the Viennese classical school, a musician of universal talent, which manifested itself very early. He wrote 626 works: violin concertos, concertos for piano and orchestra, symphonies, string quartets and divertissements, quintets, sonatas and fantasies for piano, operas (The Marriage of Figaro, Don Giovanni, The Magic Flute, etc.). Educational material 45 Classical music.

Study material 46 Questions for the seminar Topic 9. Western European culture and art of modern times. (XVII-XVIII centuries) 1. Styles and genres in the art of the New Age (optional). 2. Representatives of the art of the New Age (optional). For students of specialties: socio-cultural service and tourism (SS): Cuisine of the peoples of Europe in the 17th-18th centuries. in the works of F. Snyders and others. Socio-cultural service and tourism (SU): The image of Judith on the canvases of artists - image characteristics of styles and eras in the interpretation of the biblical story. Tourism (TU): "The Art of the New Age": excursion routes to the outstanding art galleries of the world and European cities. sports and health service (SO): Spreading ideas about a healthy lifestyle.

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"The Spiritual Life of the Silver Age" - Imagism. Gross G.E. The road of the day is colorful and wide - But do not rip off my black wrist! Music. Acmeism. Vadim Shershenevich (1893 - 1942) Sketchette White gold sealing wax ... Anna Akhmatova (1889 - 1966) Twenty-first. Kazimir Malevich "Peasant Woman" 1928-1932. NOT. Zhukovsky (1847-1921) K.E. Tsiolkovsky (1857-1935) I.P. Pavlov (1849-1936).

"Culture of Russia of the 19th century" - Then the regular building of the city began. Glinka's second opera "Ruslan and Lyudmila" was coldly received by the audience. Presentation on the topic "Russian culture in the late 19th and early 20th centuries." The book publishing and newspaper business continued to develop. Public libraries and museums played a positive role in the cultural life of the country.

"Futurism" - Poetic creativity fits into mathematical norms. "A slap in the face of public taste." Alexey Kruchenykh (1886-1968). Egofuturism was an individual invention of the poet Igor Severyanin. The desire to give a new name to things. Principles of Russian Futurism. Futurism. Aesthetic program of the futurists.

"Painting of Russia of the 19th century" - Painting about nature. Still life. Artists of the 19th century. Image of a person. Work in pairs. Vasily Andreevich Tropinin (1776-1857). Image of various items. The art of the 19th century, in which Russian artists played a significant role, cannot be overestimated. The 19th century was marked by the high flourishing of Russian painting, in which Russian artists left an indelible mark on the history of Russian fine art for posterity, imbued with the spirit of a comprehensive reflection of the life of the people.

"Russian culture of the XVI century" - Ascension tent temple was built in 1532. Russian craftsmen make small utensils, cast bells. Decorative - applied art. Fresco. 1502-1503 The greatest monument of Russian architecture of the Moscow Kremlin of the 16th century. The scale of stone construction increased. Moscow. Ivan the Great belltower.

"Icon painting of Ancient Russia" - The icon is a sacred object of church art. Icon - The Way of Grace. The icon is a figuratively expressed prayer. I am in the temple. What do we know about icons? Only for some reason we pass by without seeing, not noticing, not wanting to notice and ask… What is an ICON? The icon is a window to the spiritual world, the heavenly world. Chistyakova N.V.

There are 12 presentations in total in the topic

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