How to get khaki color when mixed. How to mix colors for pink

The color mixing table allows you to find out how to get the right one when mixing two or more colors and shades.

Such a table is used in various fields of art - fine art, modeling, and others. It can also be used in construction when mixing paints and plasters.

Color mixing table 1

Color mixing table 2

Mixing paints
the black= brown + blue + red in equal proportions
the black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
the black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
bodily= a little copper color
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = Orange
red + ocher + white = apricot
red + green = Brown
red + blue = purple
red + blue + green = the black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red with blue, with red predominating
pistachio paint obtained by mixing yellow paint with a small amount of blue

Blue is one of the primary colors. Along with red and yellow, it is included in the list of tones that cannot be produced at home. But artists know very well how to get blue in its various shades - for this you need to mix the classic color with other pigments, which gives amazing results.

traditional color wheel

Experts call blue, red, yellow the "three pillars" of color and painting. It is on them that the widest palette of semitones of the second and third orders rests, they are combined with each other, while the creation is excluded.

All the most important colors are included in the so-called color wheel. It is a conditional model divided into sectors. The latter are placed in an order close to the location in the visible light spectrum. Nearby shades are called chromatic, they can be mixed with each other to obtain a new chromatic (color) paint. If, when mixing colors, take opposite tones, an achromatic color (grayish) will come out. That is, the farther apart the colors, the more likely that their mixture will give an inexpressive, ugly tone.

Classic blue and its shades

It will not work to make a blue color at home, so to create its different shades, you need to purchase ready-made gouache, watercolor, acrylic paint or another type of dye (even plasticine). Then you can use other colors from the set, because when combined, you can get incredible tones and halftones of blue. Artists have special tables with the names of shades and the necessary proportions for paints, but in practice you still have to experiment.

In ordinary gouache sets, blue is represented by a shade of ultramarine. It is very bright, moderately dark, has slightly purple notes. There is an important rule to remember: white is added to lighten the tone, black is added to darken it, and various colors are added to change the reflection of the paint.

blue green

Making shades of blue with green highlights is easy. The effect of a dark green tone is given by the introduction of a small amount of ready-made green paint into the blue. If it doesn't exist, you can do something else. Since the combination of blue and yellow gives a green color, you can add a little yellowness to the blue. Next, the paint is lightened with white, resulting in a shade of the third order, less saturated.

Prussian blue

Azure color also contains green shades. Artists have a recipe for its preparation - you need to combine 1 part of blue and the same amount of light green or bright green (herbal) shade. If necessary, the tone is diluted with white.

blue purple

This color is considered very rich, powerful in energy, it is prepared by combining blue with red paint in equal proportions. But the finished purple must be made to “turn blue”, for which a blue color scheme is added drop by drop until the desired tone is obtained. Usually the final ratio does not exceed 2:1.

royal blue

The color royal is a dark, cold tone, close to classic. Traditional royal blue is part of the HTML color scheme used in computer graphics. It is also the main tone of ink, paint for cartridges. To make this color, a drop of black and even less green are introduced into ultramarine.

blue gray

This shade is reminiscent of an overcast sky, as well as the color of the water on a non-sunny day. In the base blue, you need to add a little brown, as a result you get a dark blue-gray tone. It is diluted with whitewash to the desired degree of clarification. There is another option for creating a gray-blue hue - combine blue with orange, as a result you get a grayish mass with a slightly blue glow.

Dark blue

Blue paint begins to darken from the addition of a small amount of black color. The ratio should be no more than 4:1. Creating such a shade is required if you need to “calm down” a color when it is initially too bright.

Blue

Blue is easy to make. To do this, blue of any tone is diluted with whitewash 3: 1 or more. Increasing the volume of white paint leads to even more lightening up to sky blue or pastel blue. To achieve the manufacture of the original tone, you can dilute turquoise with whitewash.

Other shades

Wedgwood tone is obtained by combining a portion of blue, as well as a drop of white and black paint. For dark turquoise, a yellow-green color scheme is added dropwise to blue. Cornflower blue is created by mixing purple, blue, a drop of brown and the same amount of black dye.

Blue in nature

In the real world, blue is perceived by the eye in the range of 440-485 nm. This is the numerical value of the electromagnetic wavelength, which has a blue tone in the overall spectrum of light. In nature, you can see up to 180 shades of blue - its tones are visible in the color of the seas and oceans, the sky, twilight, moonlight, many plants, insects.

To get the perfect color, you need to ensure that all the ingredients are similar in chemical composition. Otherwise, the mass may delaminate, leaving unmixed streaks in it. It is also important to use high-quality paints, because others begin to darken and gray over time. Oil dyes are very susceptible to changes - it is better to first try working on a small area and evaluate the effect after a couple of days. Artists note: the fewer colors were combined, the better the result will be, the less risk of burnout and flaking of the finished decor.

Consider the already known color wheel

All colors are divided into:

The main ones (yellow, red, blue) - the inner part of the circle - from these colors we get the rest.

Secondary colors (purple, orange, green) - the middle part of the circle.

Tertiary (complex) colors - the outer circle and combinations of shades from different parts of the circle.

The components will be indicated on sectors within the required color.

When mixing colors opposite each other in equal proportions, we get a dirty dark gray color. Such pairs of colors are called complementary.

This effect is used when it is necessary to "mute" the hue by "dirtying" it.

For example, to make blue darker - drop a little orange into it, brown - "muffled" by light green. The main thing is to understand the principle of working with the color wheel, and finding a more complex and convenient version of it on the net and downloading it is not difficult.

Here are some recipes for mixing colors:

yellow + brown = ocher

red + yellow = Orange
red + ocher + white = apricot
red + green = Brown
red + blue = purple
red + blue + green = the black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige

light green=(green+yellow, more yellow)+white= light green

lilac=(blue+red+white, more red and white) +white= light lilac
lilac= red with blue, with red predominating

the black= brown + blue + red in equal proportions
the black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
the black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

And this table contains classic flower recipes

We use

As you understood from the tables, the darker and dirtier the color, the more recipe options there are. Perhaps not everything will work out right away, a certain skill is needed, but it is developed very quickly and you yourself will have your favorite and unloved combinations and recipes. It seems to me that the most economical way to get acquainted with mixing colors without fear of spoiling something is to practice with ordinary watercolors.

As soon as you have confidence in what will turn out in the end, you can try enamel with acrylic. In any case, if you are not sure of the result - try first on watercolors or gouache.

I recommend starting small - using purchased shades, with simple additions, learn how to make gradients of camouflage shades for color modulation, for example, for panel highlighting.

As your skill grows, you will be able to buy a ready-made color and make a dye, as it is spent, to prepare the colors yourself.

Always prepare a color with a small margin - if necessary, it will be a difficult task to repeat it.

I do not argue that buying ready-made shades is often easier and faster, but I prepare the color myself when:

1. The color I need is not available in the store - there is no desire and time to wait for deliveries.

2. It often happens that I do not agree with one or another interpretation of the shade by the paint manufacturer.

3. Manufacturers do not produce the required color (as an example, Polish khaki, moreover, 4 shades of paint were used during the pre-war years of 1938-1939.)

4. It is assumed that the prototype, due to operating conditions, has greatly changed the color.

5. So that my collection of models does not look like one green-blue spot, I try to paint each next model with a slightly different shade. The difference will be visible only if you put two models in the same color side by side.

This knowledge is applicable and will be useful in everyday life - for example, you can’t wash colored items of additional colors at the same time - they will gradually acquire gray shades :))

Now, having studied the basics, it will be possible to return to modeling technologies and practice.

Brown color, although not bright, but quite popular. It is used when repairing an apartment, for painting interior items, when painting with acrylic and other paints and gouache, when coloring hair, as well as other actions. To get brown, a mixing technique is used. Colors are taken both dark and light, and which ones we will find out later in the article.

One of the main and easy ways to make brown is to mix green and red dye I. These colors are available in any palette of paints, from construction to those intended for painting on paper canvas. The use of dark green and dark red is not allowed, otherwise we will get a color close to black, but not as dark brown.

The next method would be mixing 3 dyes: red, blue and yellow. This method comes from the previous one, instead of green we use blue and yellow, which, when mixed, give green, as a result we get the color formula described above. This combination of colors is good when green is over in the palette.

Another way to make brown is to mix orange and gray or orange and blue, which is more true for the usual palette of colors.

The last way to get classic brown is to combine magenta and yellow paints. Purple can be used instead of magenta. This option is less popular because it is difficult to control the resulting color when mixed, the slightest overdose and the shade is not the same.

Making shades of brown

The traditional palette is good, but its use is not always required, for example, in painting the wall in the hallway, a lighter tone would be more appropriate, and to give the picture realistic colors, depicting the earth, dark paint is usually taken. Here are instructions on how to make brown darker or lighter:

• How to get dark brown? We will not reinvent the wheel and offer the most effective method - this is the addition of a black component. We advise you to mix in small drops, otherwise you risk spoiling the resulting paint and having to throw it away. After adding a small dose of black, mix thoroughly until smooth, only then decide whether to darken further.
• How to get light brown? Here we will also follow the well-known path and offer a method for using whitewash or white dyes. Adding brightening colors can be done more intensely than darkening ones. This is due to the fact that if you lighten the brown, you can always go back a couple of tones darker. White paint acts as the main white paint, in addition to it, you can use yellow - which will give a shade of ocher, red - will give shades of rust, and blue will make it deeper and more contrasting.

For art lovers, together with Olga Bazanova, we prepared a video lesson on mixing brown from others:

Pros and cons of mixing brown

No matter how strange it may sound, but making brown paint with your own hands is not always the best idea. Let's look at when it is profitable to mix, and when it is better to buy a ready-made dye:

• • You paint with acrylics on canvas - here you can make brown and its shades in any quantity and proportion of colors;
  • You are making repairs and there are extra paints from which you can get brown for use in the intended design;
  • You do anything, but the palette of colors presented by the stores is not what you need;
  • If brown walls are provided in the design of the room, then you should not buy other colors to mix them, there are enough brown paints in hardware stores to choose the right one;
  • If you dye your hair, you should not mix different components, even of the same shade, if this is not provided for by the instructions;
  • If you are not sure in advance that you will use brown.

Color Mixing Secrets

• • • 1. To make beautiful brown paint, use precise proportions.
      2. If you achieve the desired tone, then add the "thinner" color a little bit, otherwise you risk ruining everything.
      3. Try to test the resulting dye on a small stained area, because the color in the jar and on the surface may differ.
      4. When working with a painting, the combination of colors can be carried out directly on the canvas, thereby achieving an interesting effect.
      5. Before connecting other paints, read the instructions, the color of the dried paint may differ from the one applied, this should be taken into account.

Conclusion

There are many ways to obtain brown colors and shades, they can be used for any painting work, but you should be guided by the advisability of mixing or buying ready-made. In addition to the main mixture, many shades can be made from light to dark, from contrasting to deep. Do not be afraid to experiment, because all the famous masterpieces of interior design, painting and fashion items have appeared as a result of a large number of trials. Tell us in the comments what paints do you use to make your brown dye?

Acrylic paints are versatile: they can make amazing stained-glass windows on glass, paint the walls of a house, or simply paint a picture. They are easy to work with, hold firmly after drying, but if a wide variety of colors is required, then the drawing will be expensive due to their price. It is not necessary to purchase all the colors - you can buy the main palette, and get the desired shades by mixing acrylic paint.

What colors of dyes need to be purchased

Even at school, in drawing lessons, they taught tinting lessons, when they said that when you mix red with yellow, you get orange, and when you mix blue and yellow, you can get green. It is on mixing a variety of colors that a special artistic table for obtaining additional colors is based. According to this table, to create the necessary palette, it is enough to purchase acrylic dyes of 7 colors:

• red;
• pink;
• yellow;
• brown (burnt umber);
• blue
• black;
• white().

These paints are quite enough to get the necessary color by mixing. It is enough to use the art table and,.

How to work with a table

Working with the table does not present great difficulties, it is enough to find the desired color in it, and next to it it will be indicated which paints need to be mixed to obtain the desired color scheme. For example, you need olive paint. If you look at the table, then mixing yellow and green is necessary to obtain this color scheme.

Everything seems to be simple. But the table does not indicate the ratio of dyes, only the names of the colors needed for mixing are given. Then how to be? Like everyone who works with different colors of paints, you will have to develop your own color perception, which helps to choose the color in the required proportions.

Beginners can be advised the following:

1. To create the desired tone, add a tint color to the base in small portions and check the result on an unnecessary surface.
2. Even if the color shade as a result of tinting seemed to be correct, you should not immediately take on the main drawing when the paint that has ended during the work is being mixed. It is better to wait for the control smear to dry. When drying, the color may change slightly, and then it will be necessary to carry out additional tinting of the color mixture.

When drawing, you can use a universal table suitable for working with dyes on any basis, or you can use the scheme developed by masters who prefer to work with acrylic paints. But whichever method is used, only the experience of mixing will help develop the necessary color perception, which helps in choosing a color ratio.

Features of working with acrylic dyes

Masters who prefer to work with acrylic dyes to create artistic masterpieces have developed a special mixing scheme. This scheme can be divided into parts to create the desired tones:

• light;
• dark.

By mixing different tones, it is possible to obtain the following color shades:

• green;
• lilac and purple;
• orange;
• earthen.

Enough for drawing? Quite, it is now worth considering the rules for mixing different colors to create each tone.

Light coloured

Titanium white is taken as the basis, color is added to them in small portions. The less tinting paint is added, the lighter the shade will turn out. In this way, you can get all the light shades of the palette.

Dark

Dark tones are created a little differently: a small amount of black is added to the main palette. In this way, you can get any dark tone. One has only to carefully add black, otherwise, instead of the desired dark brown color, you can create a dirty brown. However, even if the first result is unsuccessful, the second and subsequent ones will be much better, because experience comes with practice.

Having created the necessary tones, you can create the necessary color scheme by mixing different shades.

Green gamut

There is no green color in the palette of paints necessary for acquiring, it will first have to be done by mixing blue and yellow, and the shade and further tinting result will depend on the initial ratio of the dye. What proportions to take can only be found out empirically by mixing colors. It is difficult even to describe all the options for color combinations, there are too many of them. You can find them in the artistic color chart, which should be the best friend of every artist and decorator.

Lilac and purple

These cool tones can be obtained from blue dye by mixing it with a light pink dye (purple) or a red tint (purple). Black or white tone can be added to the resulting compositions to obtain a variety of shades.

orange

If you mix red and yellow in various proportions, you can get an orange color scheme, and its saturation will depend only on the original color ratio. If white is added to the result, it is possible to create shades such as melon, peach or coral.

earthen

Burnt umber, mixed with all the components of the color palette, allows you to get an extensive range from beige (a mixture of white with brown) to dark wood (brown with black).

How to work with the palette

How to create the necessary scale? There is nothing difficult in this. For work you will need:

• basic color range;
• brushes;
• container with water;
• an art palette for mixing colors (you can take the one that schoolchildren use in drawing lessons).

1. Place white in the middle of the palette, because they are most often used to lighten and create various halftones.
2. Place the necessary dyes in the remaining recesses.
3. It is necessary to mix carefully, adding color in small portions and checking the result with a smear.
4. After each mixing, the brush must be rinsed in a container of water.

Mixing acrylics is easy, and with a little practice, you can learn to achieve a wide range of colors with just seven primary colors.